A Definition For 'Film Adaptation' | Excelsior Classes
A pre-existing work that has been made into a film. Film Adaptation is often of literary or theatrical works, but musical theatre, best-selling fiction and non-fiction, comic books, computer games, children’s toys, and so on have also been regularly adapted for the cinema. Adaptations of well-known literary and theatrical texts were common in the silent era (see silent cinema; costume drama; epic film; history film) and have been a staple of virtually all national cinemas through the 20th and 21st centuries. Bram Stoker’s Dracula (1897) and Arthur Conan Doyle’s Sherlock Holmes stories (1887–1927) have been adapted in a range of national contexts but probably the most adapted author is Shakespeare, whose plays have appeared in film form as a large-budget Hollywood musical (West Side Story (Jerome Robbins and Robert Wise, US, 1961)), a historical epic set in feudal Japan (Kumonosu-jo/Throne of Blood (Akira Kurosawa, Japan, 1957)), a Bollywood musical (Angoor (Gulzar, India, 1982)), and a children’s animation (The Lion King (Roger Allers and Rob Minkoff, US, 1994)), to name but a few. Adaptation In Film often sits within cycles associated with a particular time and place, as with the British heritage film in the 1980s (see cycle). It is claimed that adaptations account for up to 50 percent of all Hollywood films and are consistently rated amongst the highest-grossing at the box office, as aptly demonstrated by the commercial success of recent adaptations of the novels of J.R.R. Tolkien’s Lord of the Rings trilogy and J.K. Rowling’s Harry Potter series. Other varied US adaptations include: computer games (Resident Evil (Paul W.S. Anderson, 2002)), graphic novels (Ghost World (Terry Zwigoff, 2001)), comic books (The Avengers (Joss Whedon, 2012)); see also cinematic universe; superhero film), and children’s toys (Transformers: The Last Knight (Michael Bay, 2017)). Several films also display a certain level of self-reflexivity regarding the process of adaptation, as can be seen in Film Adaptation (Spike Jonze, US, 2002) and The LEGO Movie (Phil Lord and Christopher Miller, 2012). A property ripe for adaptation is referred to as pre-sold; older works in particular are attractive to film producers because they are often out of copyright (see a deal, the).
Adaptations: From Text To Screen, Screen To Text
Adaptation In Film considers the theoretical and practical difficulties surrounding the translation of a text into film, and the reverse process; the novelization of films. Through three sets of case studies, the contributors examine the key debates surrounding adaptations: whether screen versions of literary classics can be faithful to the text; if something as capsulated as Jane Austen's irony can even be captured on film; whether costume dramas always of their own time and do adaptations remake their parent text to reflect contemporary ideas and concerns.
Adaptations As Imitations: Films From Novels
Film Adaptation as Imitations returns to the issue of adapting novels to the screen to examine previous commentary and to put forth another theoretical framework. As opposed to the deductive frameworks that rule out what is common practice, this new framework would allow for a more inductive approach to the films.
Authorship In Film Adaptation
Authoring a Film Adaptation of a literary source not only requires a media conversion but also a transformation as a result of the differing dramatic demands of cinema. The most critical central step in this transformation of a literary source to the screen is the writing of the screenplay.
The Comic Book Film Adaptation: Exploring Modern Hollywood's Leading Genre
In the summer of 2000, X-Men surpassed all box office expectations and ushered in an era of unprecedented production of comic book Film Adaptation. This trend, now in its second decade, has blossomed into Hollywood’s leading genre. From superheroes to Spartan warriors, The Comic Book Adaptation In Film offers the first dedicated study to examine how comic books moved from the fringes of popular culture to the center of mainstream film production.
The Oxford Handbook Of Adaptation Studies
This collection of forty new essays is the most comprehensive volume on adaptation ever published. Written to appeal similar to specialists in adaptation, scholars in allied fields, and general readers, it hearkens back to the foundations of Film Adaptation studies a century and more ago, surveys its ferment of activity over the past twenty years, and looks forward to the future. It considers the different problems in adapting the classics, from the Bible to Frankenstein to Philip Roth, and the commons, from online mashups and remixes to adult movies.
The Pedagogy Of Adaptation
From All Quiet on the Western Front and Gone with the Wind to No Country for Old Men and Slumdog Millionaire, many of the most memorable films have been adapted from other sources. And while courses on film studies are taught throughout the world, The Pedagogy of Adaptation makes a strong case for treating Adaptation In Film studies as a separate discipline. What makes this book unique is its claim that adaptation is above all a creative process and not simply a slavish imitation or reproduction of an 'original.'
The Routledge Companion To Adaptation
The Routledge Companion to Adaptation offers a broad range of scholarship from this growing, interdisciplinary field. With a basis in source-oriented studies, such as novel-to-stage and stage-to-film adaptations, this volume also seeks to highlight the new and innovative aspects of Film Adaptation studies, ranging from theatre and dance to radio, television, and new media.
Adapting Margaret Atwood: The Handmaid's Tale And Beyond
This book engages with Margaret Atwood's work and its adaptations. Atwood has long been appreciated for her ardent defense of Canadian authors and genre-bending fiction, essays, and poetry. However, a lesser-studied aspect of her work is Atwood's role both as an adaptor and as a source for Adaptation In Film in media as varied as opera, television, film, or comic books. Recent critically acclaimed television adaptations of the novels The Handmaid's Tale (Hulu) and Alias Grace (Amazon) have rightfully focused attention on these works, but Atwood's fiction has long been a source of inspiration for artists of various media, a seeming corollary to Atwood's tendency to explore the possibilities of previously undervalued media (graphic novels), genres (science-fiction), and narratives (testimonial and historical modes).
